never let me down

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"[16] During the sessions, Kızılçay played keyboards and synthesisers and, according to biographer Chris O'Leary, "provided any sound" Bowie requested. [1], On March 22, 2005, The College Dropout Video Anthology was released, which features a bonus audio CD with a cinematic version of "Never Let Me Down" as a track on it. Never Let Me Down, an Album by David Bowie. When Never Let Me Down came out in the spring of 1987, it peaked at Number 34 on Billboard’s albums chart, though it eventually went gold. The original "Never Let Me Down" album was released in 1987. "[85], In 1993, while doing press tours for his album Black Tie White Noise, Bowie acknowledged that, while the album sold more than any of his previous albums (except Let's Dance), he felt that while making it he had almost lost his interest in making music altogether. Its accompanying music video was directed by Jean-Baptiste Mondino and was described by Bowie as "experimental". Its remixer, Mario J. McNulty, brought Bowie's idea to remake the whole album to fruition in 2018. [3] It was revealed by Tarry Torae that West set up a little studio section in his living room during the recording of "Never Let Me Down" and Torae ended up recording two or three songs in the night of this session, one of which was "My Way" which ended up on West's mixtape Freshmen Adjustment (2004). [7][6] Ivy performed a poetry style rendition of his verse for the Season 5 opener of Russell Simmons presents HBO Def Poetry in 2006, which was only performed live and never part of any release by the rapper. [126] McNulty replaced a lot of synthesiser parts throughout the album with strings, saying "There were a lot of random synthesisers from the Labyrinth department lurking in the background. I hope there's a humorous undertone to it. [5][6] When the album was released, West referenced featuring artist Jay-Z in the booklet's list of 'Thanx' by crediting: 'Jay 4 blowin me up'. Bowie jokingly referred to Rourke's performance as "method rapping". In 2011, Bil… Susan Miller's memoir NEVER LET ME DOWN is a poignant, deeply felt emotional journey told in clear, forceful, sometimes vividly poetic language. "[36], Virgin Records (CDVUS 98) re-released the album in the UK on CD with three bonus tracks. [91], In 2009, the album was re-issued in SHM-CD format. All tracks are written by David Bowie, except where noted. Never Let Me Down – Benita Jones Lyrics [Bridge] {Father, You are my Joy Father, You are my Peace Father, You are my Strength You are my Everything} [x4] [Repeat Verse 2] {With all my Heart, (I’ll Trust You) Wherever You Lead me, (I’ll follow) I Yield my will for Yours You never let me down I think it's one of his best songs, 'Bang Bang,' and it hasn't been heard, and now it might be. Let's Dance was an excellent album in a certain genre, but the next two albums after that [Tonight and Never Let Me Down] showed that my lack of interest in my own work was really becoming transparent. "[128], Original musicians Alomar and Kızılçay were not part of the reproduction. It was an awful trip. Conceiving the album as the foundation for a theatrical world tour, it was recorded at Mountain Studios in Montreux, Switzerland and the Power Station in New York City in the latter half of 1986 into early 1987. [20] The staff of HipHopDX actually put Jay forward as being better than West on the song but didn't lack praise for either rapper, writing that "Jay-Z drops 2 incredible verses on [Never Let Me Down] with Kanye not far behind delivering the verse of his career. Overall, O'Leary found Never Let Me Down 2018 to be "an interesting curio", stating "the remake doesn't improve on Never Let Me Down as much as it honors the original's all-over-the-place frustration. [13] He bought a Foster 16-track and AHB mixing console to record elaborate home demos,[14] which he recorded with Kızılçay before beginning work on the album with the full band. Very directly. Tarkin ended his review stating "I guess you could say Never Let Me Down did just that; let me down. [88] Bowie had Mario J. McNulty remix the track "Time Will Crawl" in 2008 for his compilation of self-selected favourite songs, iSelect,[123][124] and later included the same mix on his career-spanning 50th anniversary compilation, Nothing Has Changed. [30][50], "Time Will Crawl" was released as the second single from the album in June 1987, with the catalogue number EA 237 and "Girls" as the B-side". His background is really jazz. [29], Bowie described "Shining Star (Makin' My Love)" as one that "reflects back-to-street situations, and how people are trying to get together in the face of so many disasters and catastrophes, socially around them, never knowing if they're going to survive it themselves. '"[18][24] Bowie biographer Nicholas Pegg, who called the song one of the better tracks on the album, noted that "Beat of Your Drum" could be called a "direct ancestor", both lyrically and musically, to Tin Machine's 1991 song, "You Belong in Rock n' Roll". [128], After the album was released in 2018, McNulty suggested that he might try remixing some of the other songs from the era, including b-sides "Julie" and "Girls", but added, "'Too Dizzy,' that's not gonna happen. [2] He got a call from Coodie at 11pm on December 7, 2002 about being part of the song, in which Coodie said to him: "J, you need to get to L.A. Kanye got this song with him and Jay Z and he wants to put a poet on it. [44] In The Rolling Stone Album Guide, the magazine compared the album to its predecessor, writing: "Tonight was an expensive quickie padded with lame covers, while Never Let Me Down made things even worse with originals. Regarding Bennett's contributions, Richards recalled: "[He]set all his 'bangers' and 'scrapers' on a table, which I miked at each end. "Never Let You Down" is a song by British R&B girl group Honeyz. Despite its commercial success, the album was poorly received by fans and critics, with its production being a common source of criticism. ", "Bowie Weaves Magic On Glass Spider Tour", "Bowie Is Back, And Bolder Than Ever His Controversial Glass Spider Tour Proves The Ageless Rocker Is Still Full Of Surprises", "Bowie and Brett 'Alias Smith and Jones' Part 2", "Inside the David Bowie 'Loving the Alien (1983–1988)' Box Set with Reeves Gabrels and Mario McNulty", "Joe D'Ambrosio Management: Mario J. McNulty (Profile)", "Record Collector: David Bowie / Never Let Me Down (1987)", "Bowie Back Catalogue Due On Shm-cd In Japan", "Loving the Alien breaks out due February", Recording Industry Association of New Zealand, "Austriancharts.at – Jahreshitparade 1987", "Top Billboard 200 Albums – Year-End 1987", "Canadian album certifications – David Bowie – Never Let Me Down", "French album certifications – Bowie D. – Never Let Me Down", "British album certifications – David Bowie – Never Let Me Down", "American album certifications – David Bowie – Never Let Me Down", Recording Industry Association of America, "David Bowie Loving The Alien (1983–1988) due October", "Interview: Tim Lefebvre Talks David Bowie, Whose Hat Is This?, & Tedeschi Trucks", "David Bowie's Mid-Eighties Work Collected for Massive 'Loving the Alien' Box Set", "How David Bowie's Biggest 'Disappointment' Became a Posthumous, Reworked Album", "David Bowie – Zeroes (2018 version) (Radio Edit)", "Zeroes (2018) (Radio Edit) Beat Of Your Drum (2018) (Radio Edit) (Double A Side Limited Edition 7" Picture Disc)", "80's-era David Bowie box set Loving the Alien has arrived: Stream", The Rise and Fall of Ziggy Stardust and the Spiders from Mars, Live at La Cigale, Paris, 25th June, 1989, Look at the Moon! [52][53] Its accompanying music video was directed by Tim Pope and previewed some of the choreography of the upcoming Glass Spider Tour. "[16] "Never Let Me Down", whose name was originally "Isolation",[23] was a last-minute addition to the album, written and recorded in one day during the last week of mixing the album at the Power Station. [34], Bowie originally wrote the song "'87 & Cry" as a statement about Margaret Thatcher, who was the Prime Minister of the United Kingdom at the time. [36] The song has been deleted from subsequent reissues of Never Let Me Down. They compiled a compilation of 12" mixes from Let's Dance and Tonight, titled Dance, that reached the artwork stage before being shelved. "[63] Chris Ingalls of PopMatters writes "Never Let Me Down 2018 goes a long way in salvaging those 1987 songs, with a 21st-century sensibility stripping away the overblown aesthetic of those original recordings. Rated #1300 in the best albums of 1987. It was co-produced by David Richards and marked the first time since 1980's Scary Monsters (and Super Creeps) that Bowie played instruments in addition to singing. [27] He also acknowledged that the songs on the album lacked a cohesive musical style, which he said reflected his eclectic musical tastes at the time, and stated that the album was "a reflection of all the styles of writing I've used over the last few years. [47] Bowie was not concerned with the album's relative poor performance in the charts, saying "I've made about 20 albums during my career, and so far this is my third biggest seller. I really shouldn't have even bothered going into the studio to record it. [51] It peaked at No. "[72], Bowie knew he'd be taking the album on tour, and in early interviews said "I'm going to do a stage thing this year, which I'm incredibly excited about, 'cause I'm gonna take a chance again", but when pressed for details, he refused to give up any, saying "I'll just be doing what I always did, which is keeping things interesting."[27]. Luckily I know David and Laurie Anderson were good friends and she said yes to this [recording new vocals for the song] and it was really great of her. [8], EMI released the second reissue in 1999 featuring 24-bit digitally remastered sound but no bonus tracks, and also without "Too Dizzy". As I've said. [79] Bowie discussed recording some of the tracks from Never Let Me Down with Gabrels again in 1996, prior to going into the studio to make his album Earthling (1997), but no tracks were recorded. [42] The cover artwork was designed by Mike Haggerty, who designed the artworks for Let's Dance and Tonight,[43] and taken by photographer Greg Gorman. I wasn't quite sure what I was supposed to be doing. In Australia, the album was appeared on blue vinyl and in Japan, a Japanese vocal version of the outtake "Girls" was included. I literally threw them away by giving them to very good people to arrange but not being involved myself, almost to the point of indifference."[81]. The track "Too Dizzy" has been deleted from subsequent reissues of the album at Bowie's request, reportedly because it was his least favourite track on the album. Critic Ira Robbins wrote "although this casual loud-rock outing... seems on first blush to be slapdash and slight, the first side is actually quite good, offering provocative pop-culture lyrics delivered with first-take enthusiasm and carefree backing. [52], The title track was released as the album's third single in August 1987, with the catalogue number EA 239 and "'87 and Cry" as the B-side. [44] It was described by Bowie as being in a "vaudevillian" style. [15] Ivy's appearance on it has been regarded as one of the most significant moments of his career. [23] On Complex's list of his 100 best songs, the track was ranked at number 82. [12] Bowie wrote Never Let Me Down with the intention of performing the songs in a theatrical show. Bowie also thought that the Glass Spider's web would make a good enclosure for the tour, thus giving the supporting tour its name and stage dressing. ^ Shipments figures based on certification alone. When reviewing the Loving the Alien (1983–1988) box set, Chris O'Leary of Pitchfork found Never Let Me Down 2018 superior to the original album, giving it a 6.7 out of 10. Ivy revealed that he originally knew West from Chicago, but was reintroduced to him in Jersey shortly before they collaborated on the track. [22], HotNewHipHop placed it at number 48 on their list of West's 50 best songs. McNulty restored the live horns in the new version. I just thought, 'It makes sense to do something bright. Overall, Bowie summed up the album after it was released in 1987 as an effort to "reestablish what I used to do, which was a guitar-oriented album. VIZE & Tom Gregory "Never Let Me Down": You've got a hold on me You take control of me Just don't let go of me I don't wanna lose you You'v... VIZE & Tom Gregory - Never Let Me Down Lyrics | AZLyrics.com [27] Bowie attributed his vocal performance on this track to John Lennon. [4], Within the track, American band Blackjack's 1980 song "Maybe It's the Power of Love" is sampled. 5:34 PREVIEW Shining Star (Makin' My Love) [2018 Remaster] 7. [38] The single performed decently in both the UK and the US, peaking at Nos. [8] The verse being performed by Ivy for this opener was appropriate, since he considers it to be a poem. But I don’t really feel that negative about it. Retrospectively, Never Let Me Down is generally regarded as one of Bowie's weakest releases. It was released as the album's eight track, produced solely by West and samples "Maybe It's the Power of Love" by Blackjack. The book has something disturbing but ultimately comforting to say to anyone who didn't grow up in a "perfect family"; in other words, Miller's book will enrich the lives of all readers. It's more multicultural...I wanted to reflect that change with what I did [played]...I told Mario, 'Put up that song and let me see what happens. John Milton goes looking for them, and finds more than he bargained for. Richards explained: "David always sang a guide vocal very early on in the recording process...Most of these vocals were so good and had such great spontaneity that they ended up on the record. [10], The first of the two verses by Jay is recycled from his 2002 song "Hovi Baby" (Remix), whilst the last is an entirely new verse. It's charged with a positive spirit that makes art soul food; imbued with the contagious energy that gives ideas a leg to dance on",[67] but in 1989 a different reviewer for the magazine called the album "disappointing". [9] Bowie phoned Frampton after listening to his latest record Premonition (1986), stating at the time, "I always thought it'd be good to work with him 'cause I was so impressed with him as a guitarist at school. Never Let Me Down is the 17th studio album by English musician David Bowie, released on 20 April 1987 by EMI America Records. [23] Bowie said his vocals on this song "owed a lot to Neil Young", and noted that the variety of voices he used on the album were a nod to the musicians who had influenced him in the past. Bowie was chosen as one of the top male pop stars of the year (1987) in Billboard's end-of-year retrospective issue. If you’re here then you … It was released as the album's eight track, produced solely by West and samples "Maybe It's the Power of Love" by Blackjack. However, because Bowie's vocals remained the same – considering them "over-the-top performances to ensure Bowie stood out in the traffic-jam mixes", he found that sometimes the new arrangements did not match his vocals, highlighting "Beat of Your Drum" and "Zeroes". Initially after the album's release, Bowie was excited to return to the studio to record more material, having written more songs than were recorded for the album. [2] After the poor reception of his follow-up album Tonight (1984),[3] Bowie began a series of miscellaneous projects that included collaborations with the Pat Metheny Group and Mick Jagger,[4][5] acting and composing for film soundtracks,[4][6] such as Absolute Beginners (1985) and Labyrinth (1986). "While it's not as consistent as Tonight, it's far more interesting, with the John Lennon homage of the title track being one of his most underrated songs. I wish there had been someone around who could have told me. Conceiving the album as the foundation for a theatrical world tour, it was recorded at Mountain Studios in Montreux, Switzerland and the Power Station in New York City in the latter half of 1986 into early 1987. [75][76][77] Despite the criticism, Bowie maintained that performing on this tour was the most fun he had had on tour up to that point in his career. Music critics mostly had praise for it, but tended to view Jay's appearance in a negative light. 34 in the UK and at No. 24 0746 1; Vinyl LP). 'Stopping and preaching and letting love in,' all those things. [3] At the time, Ivy had feelings of excitement about being on the record, not only because of: 'knowing that [West] was taking off to superstardom at the time', but also because he thought of Jay as: 'one of the greatest of all time'. [12], The title track, "Never Let Me Down", is about Bowie's long-time personal assistant, Coco Schwab. Bowie considered the idea of re-recording tracks from the album in the late 1980s,[79] 1990s[88] and 2000s,[89] a project which came to fruition in 2018 with the release of Never Let Me Down 2018, two years after Bowie's death. "[11], David Bowie, on the album's title and cover[18][24], "Day-In Day-Out" was released by EMI America Records as the lead single for the album on 23 March 1987, with the catalogue number EA 320 and "Julie" as the B-side. He received the master tapes from the label[128] and "kept all of Bowie's vocals", some of the original acoustic guitars, and "anything distinctive" about the song,[122] such as Alomar's rhythm guitar on "Never Let Me Down" and Frampton's sitar on "Zeroes". So I'm quite happy. [26], The video of West rapping "Never Let Me Down" to Pharrell from 2003 actually surfaced online within the same week as the tenth anniversary of The College Dropout and it was regarded as a classic track by this point. Other books in the John Milton series. Bowie supported the album on the Glass Spider Tour, named after one of the tracks, a world tour that was at that point the biggest, most theatrical and elaborate tour he had undertaken in his career. Conversely, he gave praise to the new versions of "Day-In Day-Out" and "Glass Spider". Track listing. Regarding it's deletion, Pegg writes: "Its removal from Never Let Me Down has rendered it a latter-day collector's item, but few will feel impelled to hunt it down. "[12], Bowie called "New York's in Love" a sarcastic song about the vanity of big cities. [26] During its making, Bowie stated he felt that the sound and style of it was reminiscent of his 1980 album Scary Monsters (and Super Creeps) and less like its immediate predecessors. According to Reeves Gabrels, Bowie wanted to remake some of the songs almost immediately after the two met in late 1987, and considered putting some of them on his next album, but Gabrels talked him out of it, suggesting it was too soon to do so. I was in that netherworld of commercial acceptance. But the subtext is definitely that the trappings of rock are not what they're made out to be. You can fool about with it. The song has managed to develop a significant legacy over time, despite never being released as a single. [48][49] A 12" remix of the song was made available on iTunes when the "Never Let Me Down" EP was released digitally in 2007. [1] In February 2015, band member Michael Bolton recalled clearing the sample at the time, revealing that he required the artists to send him the lyrics first to see if the content was worthy of his approval - in the end, Bolton believed that: 'the song turned out beautifully' and he's 'totally happy with it'. [1] Despite a music video never being released, part of the song is played during the ending of the second version of three videos for West's 2004 single "Jesus Walks", which comes one position before it on the album's track list. "[71] Similarly, Michael Rippman considered Never Let Me Down 2018 to be the "crown jewel" of the box set. Released as part of the box set Loving the Alien (1983–1988), Never Let Me Down 2018 features new production and instrumentation over Bowie's original vocals. [32], The song "Zeroes", which Rolling Stone magazine called the most heartening and successful track on the album,[33] is, according to Bowie, a nostalgia trip: "I wanted to put in every 60s cliche I could think of! Calling it "an undigested mix of ideas, time signatures and grooves that never quite comes together", Moran concluded: "Never Let Me Down can boast a handful of tracks that are a credible mix of the commercial and the experimental, a characteristic which has always been the mainstay of Bowie's best work. One of the tracks, "Too Dizzy", has been deleted from subsequent reissues due to Bowie's dislike of it. It was such an awful album. David Bowie broke away from the mainstream pop of Tonight with 1987's Never Let Me Down, turning out a jumbled mix of loud guitar rockers and art rock experiments like the failed "Glass Spider. "[26], Bowie called the song "Beat of Your Drum" a Lolita song, a "reflection on young girls... 'Christ, she’s only 14 years old, but jail’s worth it! Bowie wrote the album's lead track "Day-In Day-Out" because of his concern about the treatment of the homeless in the US, and he wanted to make a statement about it. [1] Within the song, one verse is included from West and so is one from Ivy, whose verse is a poem, whilst Jay has two verses. Complete your David Bowie collection. [39] The song's music video, directed by Julien Temple,[39] contained controversial content, which caused it to be banned by some networks, which Bowie found ludicrous. Ultimately, while the record still doesn't stand near Bowie's best work, Ingalls felt that everyone involved in the new version "does yeoman's work here. So whenever he moved around, the sounds would pan with him, creating some strange spatial effects. "[21] It was viewed by Sal Cinquemani of Slant Magazine as being one of the album tracks where West "proves he can flow with the best of them". [60], Retrospectively, Never Let Me Down has received unfavourable reviews, with its production being a common source of criticism, and is generally considered to be one of Bowie's weakest releases. [92] In 2018, the album was remastered by Parlophone and released on CD, LP, and digitally as part of the Loving the Alien (1983–1988) box set; a standalone release of the album on all three aforementioned formats was issued in February of the following year. [4] The lines rapped in West's verse: "Nothing sad as that day my girl's father passed away/So I promised to Mr. Rainey I'm gonna marry your daughter" mark a promise that he didn't keep, since the rapper went on to marry Kim Kardashian in 2014 rather than Sumeke Rainey. "[88], The release of the box set was preceded by the digital release of the single "Zeroes (2018) (Radio Edit)" in July 2018,[129] and a physical 7" single in September 2018, backed with a radio edit of the 2018 version of "Beat of Your Drum". [36], Bowie, having just turned 40 the year the album was released, was a common sight on magazine covers during the year. [16][18] The album was co-produced by Bowie and David Richards, who had engineered "Heroes" and co-produced Blah-Blah-Blah, and engineered by Let's Dance engineer Bob Clearmountain, who, according to Bowie, was responsible for the album's "great, forceful sound". [55] EMI briefly considered "Too Dizzy" for release as a fourth single from the album, and in fact, it did appear as a promo release in the US. 33. [126] For "Day-In Day-Out", McNulty discovered that Bowie had recorded the Borneo Horns (Stanley Harrison, Lenny Pickett, Steve Elson and Arif Mardin) playing live, but had at some point replaced them with synthesised horns. [15] Bowie designed his next few tours specifically to avoid the problems that the Glass Spider Tour was criticised for by avoiding overly theatrical stage presentations and focusing on his music. [12] Within the verse, West raps the line: "Racism’s still alive, they just be concealin' it", which went on to be one of his most quoted lyrics. "[22], Bowie, Richards and Kızılçay recorded backing tracks at Mountain for the first two weeks, after which Alomar and Frampton were flown in for guitar overdubs. [93], Adapted from the Never Let Me Down liner notes.[94]. JOIN THE MAILING LIST FOR … [60], Contemporary reviews of the album were mixed. The one thing they have got to cling on to is each other; although it might resolve into something terrible, it's the only thing that they've got. [37][36] He called it "a throwaway" almost immediately after the album's release, stating "I was unsettled with that song, but it's on the album anyway." The tour, like its supporting album, was commercially successful but critically panned. The reissue had the same track listing as the 2007 reissue. In 2011, Billboard listed the song as the second greatest collaboration between Kanye and Jay. Most of the lyrics are quite dark, but everything else about it is almost uplifting. The critical failure of the album and tour were factors that led Bowie to look for a new way to motivate himself creatively, leading him to create the rock band Tin Machine in 1989; he did not release another solo album until Black Tie White Noise in 1993. [8], Information taken from The College Dropout liner notes. In early 2018, musicians including Reeves Gabrels, David Torn, Sterling Campbell, Tim Lefebvre, Nico Muhly and Laurie Anderson[121] started recording in New York's Electric Lady Studios to help fulfill that wish. [2][17] When it comes to Jay's appearance on the track, John Monopoly revealed that he recorded for it literally two days before mastering of the featuring album - however, Jay had confirmed to give West a feature before it was even known which track he'd be part of. [68] Rolling Stone magazine called the work an "odd, freewheeling pastiche of elements from all the previous Bowies," "unfocused," and possibly "the noisiest, sloppiest Bowie album ever. Discover releases, reviews, credits, songs, and more about David Bowie - Never Let Me Down (Single Version) at Discogs. [56] Although considered financially successful and well attended,[74] the tour itself was critically dismissed. 27 in the US. "[66] In 1987, Spin magazine called the album "an inspired and brilliantly crafted work. [11] Ivy's verse is a poem that he wrote in a notebook, which Ivy claimed was something that he turned to God and prayed for. [84], A year later, while working with Tin Machine on their second album, he mused on his previous few albums: "You can tell I was terribly unhappy in the late '80s. [73] Bowie wanted to produce a live show that picked up where his aborted 1974 Diamond Dogs Tour left off. [25] Time named it the second best song of 2004. As far as I'm concerned it's one of the better albums I've made. Musically, Never Let Me Down has been characterised as pop rock and art rock; Bowie himself considered the record a return to rock and roll music. '"[16], The album took three months to write and record. [1] Returning from the Tonight sessions was regular collaborator Carlos Alomar, Carmine Rojas and a group of saxophonists called "the Borneo Horns". Bowie performed several of the album's songs during a press tour that preceded his highly theatrical Glass Spider Tour, which played to a combined audience of as many as six million fans. [9] However, it was also revealed by Bolton that he didn't know who Kanye and Jay were when he first found out that they were trying to license "Maybe It's the Power of Love", until his daughters told him: "They're like the biggest rappers in the business, dad." [131] Langdon Hickman of Treble writes that with the 2018 version, the album "no longer feels like a glaring misstep in his canon", rather it brings what Bowie's original vision to life, sounding closer to his Tin Machine work. [130], Reviewers have generally considered Never Let Me Down 2018 an improvement over the original album. The shortened LP version of the album was released digitally for the first time in 2007 on iTunes (minus "Too Dizzy"). This was the first Bowie album to have different length songs on the vinyl release than on the cassette and CD, with almost all the songs appearing on the latter having a longer running time than on the former.[90]. Even if it's a failure artistically, it doesn't bother me in the same way that Never Let Me Down bothers me. [82], His view on the album soured as the years passed. Music critics mostly had praise for it, but tended to view Jay's appearance in a negative light. It didn't make me feel good. [3], "Never Let Me Down" received positive reviews from the majority of music critics, though most tended to have praise for West's work and express negativity towards Jay's contributions. I was pretty confident I could do a lot of that work with strings. I felt dissatisfied with everything I was doing, and eventually it started showing in my work. After a series of miscellaneous projects, Bowie hoped to make his next record differently following his disappointment with Tonight (1984). [14], On February 13, 2014, a video surfaced online from 2003 of West rapping his verse to Pharrell in the studio, as well as singing along with the sample and Pharrell clearly showed excitement after hearing the rap from him. [51] It stalled on the UK Singles Chart, peaking at No. [30], "Time Will Crawl", which Bowie named as his favourite track from the album, was inspired by events from the Chernobyl disaster and the idea that someone from one's own neighborhood could be responsible for the end of the world.