S. 170–179, Aline Scott-Maxwell: Royal Songs And Royal Singing: Music In The Norodom Sihanouk Archival Collection, Monash University Library. S. 102–114, Anna Maria Trivisonno: The „Basevi“ Collection in the Library of Cherubini Conservatory, Florence (Italy). (Detroit studies in music bibliography, 65) by Walter Kaufmann. S. 149–157, Joe C. Clark: User – Centered Events In A Performing Arts Library. S. 227–228, Review by Pierre Jaquier: Musée du Louvre. S. 146–153, Jutta Scholl: Sondersammelgebiet Noten in Nordrhein-Westfalen. S. 305–307, Irmgard Lerch-Kalavrytinos: Plate Numbers Of Greek Music Publishers : A Selection Of Dated Lists. De Vlaamse symfonische muziek in de voormalige muziekbibliotheek van de openbare omroep 1930—1960. Iaml Outreach 1997—98: Three Perspectives On Outreach. S. 33–35, Alarik Repo: Association Of Finnish Symphony Orchestras: National Central Library Of Orchestral Music. S. 122–124, Review by Charles N. Page II: America’s Concertmasters by Anne Mischakoff Heiles. S. 375–376, Review by Silvia Di Pietro Liti: Musical References in the Gazzetta di Napoli, 1681—1725. S. 15–16, Donald Mintz: International Inventory of Musical Sources • American Secretariat. S. 265–266, Renata Wagner: Nouvelles/Nachrichten/News. S. 286–287, Lewis Reece Baratz: A Belgian Fonds and Secondary Source Materials. (Composers of North America, No. (Catalogus musicus; 18) by Laurenz Lütteken; Gudula Schütz; Karsten Mackensen. Day: Subject Commission on Archives. S. 103–105, International Association of Music Libraries (IAML)/ Association Internationale des Bibliothèques Musicales (AIBM)/ Internationale Vereinigung der Musikbibliotheken (IVMB). Karel Kozelek: Information. S. 84–92, Natalia Rodriguez: An Introduction to the Glinka Museum in Moscow. S. 6–10, Miriam Miller: Broadcasting Libraries Professional Branch. COMPTES — RENDUS / BESPRECHUNGEN / Reviews. S. 640–641, Agostina Zecca Laterza: Italy. S. 327–341, Marjorie Hassen: The Early Development Of American Music Libraries Serving Academic Departments Of Music. S. 189, Mary Wallace Davidson: Service and Training. S. 306–309, Review by Chris Walton: Richard Wagner, Cosima Wagner & Charles Nuitter: Correspondance by Peter Jost; Romain Feist; Philippe Reynal. The jury consisted of Alfred Holighaus, Claudia Steffen and Melika Foroutan . (Katalog Bayerischer Musiksammlungen, 8) by Helmut Hell; Monika Holl; Robert Machtold. S. 17, Dominique Hausfater: Research Libraries. S. 3–9, Morag Brooksbank: The Scottish Music Information Centre. S. 90–91, Éditions et Rééditions de Musique MODERNE (XIXe et XXe ss.). S. 12–21, Åke Davidsson: Cultural Background to Collections of old Music in Swedish Libraries. (Music Reference Collection, No. S. 26–27, Eric Cooper: Public Libraries Commission. Steirisches Musiklexikon. Jahrhunderts. (Unlocking the Masters No. S. 78, Review by François Lesure: Musical instrument collections. (Fallen Leaf Reference Books in Music) by Ann P. Basart. S. 184–185, Elizabeth Davis: Working Group on the Revision of RISM Series C. S. 185, Lenore Coral: Publications Committee. S. 121–123, Review by Alfons Ott: Das Musiklexikon der Steiermark. S. 127–130, D.G. S. 90–92, Review by Renée McBride: Fanny Hensel: The Other Mendelssohn by R. Larry Todd. S. 419–420, Richard Chesser: United Kingdom and Ireland. S. 207–208, Alec Hyatt King, Richard Turbet: Letters to the Editor. S. 11, Maria Nyéki: La Musique et le Centre Pompidou. S. 76–77, Review by Chris Collins: Visiones del Quijote en la música del siglo XX by Begoña Lolo. S. 44, Ann Le Lay, Anne Le Lay: Copyright Committee. S. 286–287, Review by Ann P. Basart: Anthologies of Music: An Annotated Index. Vol. S. 66–69, Review by Johan Eeckeloo: Het geheugen van de geluidsfabriek. S. 403–407, Antonio Baldassare, Antonio Baldassarre: RIdIM (Répertoire International d’Iconographie Musicale). S. 89–105, Gordon Theil: The Challenge Of Supporting Current Music Research And Instruction. S. 94, Harald Heckmann: In memoriam Karl Vötterle. S. 253–254, Review by Gilbert Rouget: African Music and Oral Data. S. 34–48, Berit Holth, Jorid Nordal Baumann: Music Heritage In Manuscripts And Printed Music. S. 44, Christoph Wolff, Klaus Keil: Répertoire International des Sources Musicales (RISM). (Große Komponisten und ihre Zeit) by Siegbert Rampe. S. 117–126, Priscilla Winling: Bringing The Local Music Scene To The Public Libraries Network Of Strasbourg: A Live Collection. S. 257–261, Finn J. Kramer-Johansen: The Norwegian Jazz Archive: A Centre Of Authority. Save Cancel. S. 26–27, F. W. Pauli: Bericht über die Tagung der Commission Internationale des Phonothèques in Brüssel / Report on the meeting of the International Record-Libraries Committee at Brussels. S. 111–114, Iván Pethes: Musikbibliotheken in Ungarn. S. 182–198, Review by Brad Short: The New Grove Dictionary of Jazz. Aspekte, Methoden und Ziele by Artur Simon. (Cataloghi di Fondi Musicali Italiani, 15; Quaderni della Rassegna degli Archivi di Stato, 69) by Eleonora Simi Bonini. 2nd ed. Bericht des Symposiums zum Anlass seines 100. S. 202–204, Review by H. Stephen Wright: Music for silent films, 1894—1929: a guide by Gillian B. Anderson. S. 189–191, Charles Suttoni: Franz Liszt’s Published Correspondence: an Annotated Bibliography. Carmina Burana. International Co-Operation. S. 135–136. S. 31, Robert M. Jones: Libraries in Music Teaching Institutions. S. 53–73, Peter J. D. Scott: Ottaviano Petrucci, Paragon Of Printing Perfection? S. 139–141, Review by Paul R. Kelly: Information Theory and Music by Joop Stam. S. 201–202, Review by Thomas F. Heck: Le fonti musicali in Italia: studi e ricerche. S. 60–61, Roger Flury, Elizabeth Nichol: New Zealand. S. 101–102, Nancy B. Reich: Liszt’s Variations on the March from Rossini’s Siège de Corinthe. (Fallen Leaf Reference Books in Music, 20) by Ray Reeder. (Catalogues du Centre de Musique Baroque de Versailles; 1) by Jean Gribenski. S. 291–292, William Pidduck, Elvidio Surian, Deta S. Davis: Letters to the Editor. S. 62–64, Maria Nyéki: Le Développement des Collections des Vidéos Musicaux et des Disques dans les Bibliothèques. 8. S. 388–389, Richard Chesser: Malcolm Turner, 1939–2012. S. 51–67, Review by John Wagstaff: Opera & Song Books Published in England, 1703—1726 by David Hunter. THAT IS WHY OUR THEATRICAL RELEASE, PLANNED FOR APRIL, 16, 2020, IS POSTPONED! S. 7–8, Rita Benton: A la recherche de Pleyel perdu, or Perils, Problems, and Procedures of Pleyel Research. S. 96–100, Dule Aelberts-Van De Ven, Catharina Van Hees: Training Music / Gramophone Record Librarians. S. 59–65, Huib Deetman, Don L. Roberts: Statement on Qualifications for Music Librarians. S. 156–187, International Basic List of Literature on Music. S. 76–79, Charlotte Van Der Pot: Public Music and Record Lending Libraries in the Netherlands: Increases for the Period 1971 to 1976. S. 140–148, Éditions et Rééditions de Musique MODERNE (XIXe et XXe ss.). S. 84–86, Frits Noske: Early Sources of the Dutch National Anthem (1574—1626). Bio-bibliographies in music, no. S. 142–144, Review by Rita Benton: Journal général d’annonces des œuvres de musique, gravures, lithographies publié en France et à l’étranger. S. 95–102, Richard A. McGowan: The Venetian Printer Giuseppe Sala: New Information Based Upon Archival Documents. S. 56–60, Brian Redfern: Music Libraries and Research in the United Kingdom. S. 405–406, Thomas Leibnitz: Research Libraries. S. 151–164, Pamela Thompson: 1994 Treasurer’s Report. S. 21–22, Helmut Federhofer: The RISM in Austria. S. 117–120, Øyvind Norheim: Norwegian Music Periodicals in Past and Present. S. 105–106, Review by Claudia Niebel: Johannes Brahms. (Bibliographies in American Music, 14) by Clayton W. Henderson. Herausgegeben von der Kommission für Deutsche Literatur des Mittelalters der Bayerischen Akademie der Wissenschaften. S. 274–280, Paola Gibbin: Music In The National Central Library Of Florence: Legal Deposit And National Bibliography Of Music. S. 90–92, Review by Johan Eeckeloo: Ah! S. 385, Don L. Roberts: President’s Message. S. 11–12, Lenore Coral: Publications Committee. S. 429–430, Emilia Rassena, Emilia Rassina: Russia. (International Federation of Sound Archives). We've found them. S. 85–86, Jorge García García: International Conference on Music Printing and Publishing in Spain. S. 173–175, Review by Heikki Poroila: Thematic Catalogues in Music: An Annotated Bibliography. 14,752 Photos. S. 596, Gabriella Biagi Ravenni: Work on a New Catalogue of the Works of Luigi Boccherini. S. 78, Ria Warmerdam: Performing arts in The Netherlands in shock: New subsidy policy distresses renowned musical ensembles. S. 11–16, Maria Prokopowicz: La musique imprimée de 1800 à 1831 comme source de la culture musicale polonaise de l’époque. S. 79–84, Oscar Mischiati: Un’inedita testimonianza su Bartolomeo Ramis de Pareia. S. 169–182, Jørgen Bennetzen, Kirsten Maegaard: Reggae. S. 111–124, Harald Heckmann, André Jurres, Kurt Dorfmüller, Charlotte Van Der Pot, Rita Benton, Anders Lönn, Mariangela Donà, Imogen Fellinger, Jürgen Kindermann, Frederick Rimmer, Eva Brit Fanger, D. W. Krummel, Folke Lindberg, Karlheinz Schlager, Barry S. Brook, Nanna Schiødt, Claes M. Cnattingius: Jahrestagung der IVMB in London / IAML annual Conference in London / Réunion annuelle de l’AIBM à Londres. Le métier de donneur de concerts : Adrien François Servais (1807—1866) als rondreizend cellovirtuoos by Peter François; Adrien François Servais, Halse cellist met wereldfaam: catalogus by Peter François; Mélanges d’histoire du Conservatoire royal de Bruxelles, vol. S. 82, Geraint J Philp: The Internationalisation of Music Bibliography. 14,752 Photos. S. 197–290, Judy Tsou: Archives and Documentation Centres Branch. S. 412–413, Review by Gwen Burgett Thrasher: Encyclopedia of Percussion. S. 143–145, Charles Cudworth: Un „Répertoire de documents musicaux“: Secondary Report. S. 34–35, Wolfgang M. Freitag: On Planing a Music Library. 2: Biographical Catalog by Corliss Richard Arnold. S. 39–44, Kornel Michałowski: Musikbibliographie der Zeitschriften in Polen. Auflage des Köchel-Verzeichnisses. S. 79–84, Kurt Dorfmüller, Barry S. Brook, Sylvia L’Ecuyer Lacroix: JOINT Commissions. S. 133–134, Review by Catherine Massip: A melodic Index to Haydn’s instrumental music. S. 188–189, Joachim Jaenecke: Documenta musicologica. S. 91–92, Don L. Roberts: Commission On Education And Training. S. 258–266, Alexander Jansen: The Archives of the Netherlands Broadcasting Foundation (NOS). S. 39, Project Group on Universal Availability of Publications. S. 147–149, Jorid Nordal Baumann, Inger Johanne Christiansen: The National Music Collection/Norsk Musikksamling. S. 5–7, François Lesure: The Central Secretariat of RISM, Paris. S. 26–27, Derek Lewis: IAML/IASA Joint Committee on Music and Sound Archives. S. 141–142, IAML/AIBM/IVMB Directory 1987—1989. Achetez neuf ou d'occasion S. 147–148, Liesbeth Hoedemaeker: Research Libraries. S. 319–323, Kirsten Voss-Eliasson, János Kárpáti, Mariangela Donà, Harie Jannssen, Liesbeth Hodemaek, Ad Blokland, Gerald Seaman, Inger Johanne Christiansen, Mireille Geering, Barbara Padjasek: National Branches. S. 196–197, Review by Tim Eggington: Thomas Tallis and his Music in Victorian England by Suzanne Cole. S. 80–82, K. Schmidt-Phiseldeck: Commission Internationale du Code de Catalogage. S. 191–208, Roberto Verti: L’Indice de’ teatrali spettacoli, Milan,Venise, Rome 1764—1823: Une source pour l’histoire de l’opéra italien. S. 89, Review by Gillian B. Anderson: Women Composers. S. 213–215, Review by Irmgard Knechtges-Obrecht: Die Ouvertüren Robert Schumanns. (Münchner Veröffentlichungen zur Musikgeschichte. S. 325–327, Annika Simms and Hanneke Kuiper: Public Libraries Branch. S. 396, Richard Chesser: Constitution Committee. S. 621–623, Jon Bagüés: Outreach Committee. 37) by Richard A. McGowan.
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